Tag Archives: take the square!

Charting Hybridised Realities

Editorial notice:

This text was originally written for the Re-Public on-line journal, which focuses on innovative developments in contemporary political theory and practice, and is published from Greece. As the journal has ground to a (hopefully just temporary) halt under severe austerity pressures we decided to post the current first draft of the text on the Tactical Media Files blog. This posting is one of two, the second of which will follow shortly. Both texts build on my recent Network Notebook on the ‘Legacies of Tactical Media‘.

The second text is a collection of preliminary notes that expand on recent discussions following Marco Deseriis and Jodi Dean’s essay “A Movement Without Demands”. It is conceivable that both texts will merge into a more substantive essay in the future, but I haven’t made up my mind about that as yet.

Hope this will be of interest,
Eric

Charting Hybridised Realities

Tactical Cartographies for a densified present

In the midst of an enquiry into the legacies of Tactical Media – the fusion of art, politics, and media which had been recognised in the middle 1990s as a particularly productive mix for cultural, social and political activism [1], the year 2011 unfolded. The enquiry had started as an extension of the work on the Tactical Media Files, an on-line documentation resource for tactical media practices worldwide [2], which grew out of the physical archives of the infamous Next 5 Minutes festival series on tactical media (1993 – 2003) housed at the International Institute of Social History in Amsterdam. After making much of tactical media’s history accessible again on-line, our question, as editors of the resource, had been what the current significance of the term and the thinking and practices around it might be?

Prior to 2011 this was something emphatically under question. The Next 5 Minutes festival series had been ended with the 2003 edition, following a year that had started on September 11, 2002, convening local activists gatherings named as Tactical Media Labs across six continents. [3] Two questions were at the heart of the fourth and last edition of the Next 5 Minutes: How has the field of media activism diversified since it was first named ‘tactical media’ in the middle 1990s? And what could be significance and efficacy of tactical media’s symbolic interventions in the midst of the semiotic corruption of the media landscape after the 9/11 terrorist attacks?

This ‘crash of symbols’ for obvious reasons took centre stage during this fourth and last edition of the festival. Naomi Klein had famously claimed in her speedy response to the horrific events of 9/11 that the activist lever of symbolic intervention had been contaminated and rendered useless in the face of the overpowering symbolic power of the terrorist attacks and their real-time mediation on a global scale. [4] The attacks left behind an “utterly transformed semiotic landscape” (Klein) in which the accustomed tactics of culture jammers had been ‘blown away’ by the symbolic power of the terrorist atrocities. Instead ‘we’ (Klein appealing to an imaginary community of social activists) should move from symbols to substance. What Klein overlooked in this response in ‘shock and awe’, however, was that while the semiotic landscape had indeed been dramatically transformed (and corrupted) in the wake of the 9/11 attacks, it still remained a semiotic landscape – symbols were still the only lever and entry point into the wider real-time mediated public domain.

rubble_911

Therefore, as unlikely as it may have seemed at the time, the question about the diversification of the terrain and the practices of media activism(s) was ultimately of far greater importance. What the 9/11 crash of symbols and the semiotic corruption debate contributed here was ‘merely’ an added layer of complexity. In a society permeated by media flows, social activism necessarily had to become media activism, and thus had to operate in a significantly more complex and contested environment. The diversification of the media and information landscape, however, also implied that a radical diversification of activist strategies was needed to address these increasingly hybridised conditions.

To name but a few of the emerging concerns: Witnessing of human rights abuses around the world, and creating public visibility and debate around them remained a pivotal concern for many tactical media practitioners, as it had been right from the early days of camcorder activism. But now new concerns over privacy in networked media environments, coupled with security and secrecy regimes of information control entered the scene. Critical media arts spread in different directions, claiming new terrains as diverse as life sciences and bio-engineering, as well as ‘contestational robotics’, interventions into the space of computer games, and even on-line role playing environments. Meanwhile the free software movement made its strides into developing more autonomous toolsets and infrastructures for a variety of social and cultural needs – adding a more strategic dimension to what had hitherto been mostly an interventionist practice. In a parallel movement on-line discussion groups, mailing lists, and activity on various social media platforms started to coalesce slowly into what media theorist Geert Lovink has described as ‘organised networks’. [5] Or finally the rapid development of wireless transmission technologies, smart phones and other wireless network clients, which introduced a paradoxical superimposition of mediated and embodied spatial logics, best be captured in the multilayered concept of Hybrid Space. [6]

Our question was therefore entirely justified, to ask how the term ‘tactical media’ could possibly bring together such a diversified, heterogeneous, and hybridised set of practices in a meaningful way? It had become clear that more sophisticated cartographies would be necessary to begin charting this intensely hybridised landscape.

A digital conversion of public space

If the events in 2011 have made one thing clear it is that the ominous claim of Critical Art Ensemble that “the streets are dead capital” [7] has been declared null and void by an astounding resurgence of street protest, whatever their longer term political significance and fallout might be. These protests staged in the streets and squares, ranging from anti-austerity protests in Southern Europe to the various uprisings in Arab countries in North Africa and the Middle East, to the Occupy protests in the US and Northern Europe, have by no means been staged in physical spaces out of a rejection of the semiotic corruption of the media space. Much rather the streets and squares have acted as a platform for the digital and networked multiplication of protest across a plethora of distribution channels, cutting right across the spectrum of alternative and mainstream, broadcast and networked media outlets.

NobodyExpectsSpanishRevolution

What remained true to the origin of the term ‘tactical media’ was to build on Michel de Certeau’s insight that the ‘tactics of the weak’ operate on the terrain of strategic power through highly agile displacements and temporary interventions [8], creating a continuous nomadic movement, giving voice to the voiceless by means of ‘any media necessary’ (Critical Art Ensemble). However, the radical dispersal of wireless and mobile media technologies meant that mediated and embodied public spaces increasingly started to coincide, creating a new hybridised logic for social contestation. As witnessed in the remarkable series of public square occupations in 2011, through the digital conversion of public space the streets have become networks and the squares the medium for collective expression in a transnationally interconnected but still highly discontinuous media network.

any_media_detail

Horizontal networks / lateral connections

One of the remarkable characteristics of the various protests is not simply the adoption of similar tactics (most notably occupations of public city squares), but the conscious interlinking of events as they unfold. Italian activists of the Unicommons movement physically linked up with revolting students in Tunisia, Egyptian bloggers and occupiers of Tahrir Square linked up with the ‘take the square’ activists in Spain, who in turn expressed solidarity and even co-initiated transnational actions with #occupy activists in the United States and elsewhere. It is the first time that the new organisational logic of transnational horizontal networks that has been theorised for instance in the seminal work “Territory, Authority, Rights” by sociologist Saskia Sassen, has become so evidently visible in activists practices across a set of radically dispersed geographic assemblages.

ows-tahrir-square

Horizontal networks by-pass traditional vertically integrated hierarchies of the local / national / international to create specific spatio-temporal transnational linkages around common interests, but also around affective ties. By and large these ties and linkages are still extra-institutional, largely informal, and because of their radically dispersed make up and their ‘affective’ constitution highly unstable. Political institutions have not even begun assembling an adequate response to these new emergent political constellations (other than traditional repressive instruments of strategic power, i.e. evictions, arrests, prohibitions). Given the structural inequalities that fuel the different strands of protest the longer term effectiveness of these measures remains highly uncertain. The institutional linkages at the moment seem mostly limited to anti-institutional contestation on the part of protestors and repressive gestures of strategic authority. The truly challenging proposition these new transnational linkages suggest, however, is their movement to bypass the nested hierarchies of vertically integrated power structures in a horizontal configuration of social organisation. They link up a bewildering array of local groups, sites, networks, geographies, and cultural contexts and sensitivities, taking seriously for the first time the networked space as a new ‘frontier zone’ (Sassen) where the new constellations of lateral transnational politics are going to be constructed.

arabic_facebook

Charting the layered densities of hybrid space

Hybrid Space is discontinuous. It’s density is always variable, from place to place, from moment to moment. Presence of carrier signals can be interrupted or restored at any moment. Coverage is never guaranteed. The economics of the wireless network space is a matter of continuous contestation, and transmitters are always accompanied by their own forms of electromagnetic pollution (electrosmog). Charting and navigating this discontinuous and unstable space, certainly for social and political activists, is therefore always a challenge. Some prominent elements in this cartography are emerging more clearly, however:

connectivity: presence or absence of the signal carrier wave is becoming an increasingly important factor in staging and mediating protest. Exclusive reliance on state and corporate controlled infrastructures thus becomes increasingly perilous.

censorship: censorship these days comes in many guises. Besides the continued forms of overt repression (arrests, confiscations, closures) of media outlets, new forms are the excessive application of intellectual property rights regimes to weed out unwarranted voices from the media landscape, but also highly effective forms of  dis-information and information overflow, something that has called the political efficacy of a project like WikiLeaks emphatically into question.

circumvention: Great Information Fire Walls and information blockages are obvious forms of censorship, widely used during the Arab protests and common practice in China, now also spreading throughout the EU (under the guise of anti-piracy laws). These necessitate an ever more sophisticated understanding and deployment of internet censorship circumvention techniques, an understanding that should become common practice for contemporary activists. [9]

attention economies: attention is a sought after commodity in the informational society. It is also fleeting. (Media-) Activists need to become masters at seizing and displacing public attention. Agility and mobility are indispensable here.

public imagination management: Strategic operators try to manage public opinion. Activists cannot rely on this strategy. They do not have the means to keep and maintain public opinion in favour of their temporary goals. Instead activists should focus on ‘public imagination management’ – the continuous remembrance that another world is possible.

Beyond semiotic corruption: A perverse subjectivity

The immersion in extended networks of affect that now permeate both embodied and mediated spaces introduces a new and inescapable corruption of subjectivity. Critical theory already taught us that we cannot trust subjectivity. However, the excessive self-mediation of protestors on the public square has shown that a deep desire for subjective articulation drives the manifestation in public. The dynamic is underscored further by upload statistics of video platforms such as youtube that continue to outpace the possibility for the global population to actually see and witness these materials.

Rather than dismissing subjectivity it should be embraced. This requires a new attitude ‘beyond good and evil’, beyond critique and submission. A new perverse subjectivity is able to straddle the seemingly impossible divide between willing submission to various forms of corporate, state and social coercion, and vital social and political critique and contestation. It’s maxim here: Relish your own commodification, embrace your perverse subjectivity, in order to escape the perversion of subjectivity.

Eric Kluitenberg
Amsterdam, April 15, 2012.

References:

1 – See: David Garcia & Geert Lovink, The ABC of Tactical Media, May 1997, a.o.:
www.tacticalmediafiles.net/article.jsp?objectnumber=37996

2 – www.tacticalmediafiles.net

3 – Documentation of the Tactical Media Labs events can be found at:
www.n5m4.org

4 – Naomi Klein – Signs of the Times, in The Nation, October 5, 2001.
Archived at: www.tacticalmediafiles.net/article.jsp?objectnumber=46632

5 – Geert Lovink and Ned Rossiter, Dawn of the Organised Networks, in; Fibreculture Journal, Issue 5, 2005.
http://five.fibreculturejournal.org/fcj-029-dawn-of-the-organised-networks/

6 – See my article The Network of Waves, and the theme issue Hybrid Space of Open – Journal for Art and the Public Domain, Amsterdam, 2006;
www.tacticalmediafiles.net/article.jsp?objectnumber=48405
(the complete issue is linked as pdf file to the article).

7 – Critical Art Ensemble, Digital Resistance, Autonomedia, New York, 2001.
www.critical-art.net/books/digital/

8 – Michel de Certeau, The Practice of Everyday Life, University of California Press, 1984.

9 – A useful manual can be found here: www.flossmanuals.net/bypassing-censorship/

Media Squares: On the new forms of protest and their media

We are very pleased to announce the Media Squares international seminar and screening event, to be held at De Balie, centre for culture and politics in Amsterdam, on Friday September 30, 2011. This event is part of our on-going research efforts around the Tactical Media Files documentation resource, and provides an opportunity for first-hand exchange of ideas, opinions, insights and disagreements.

Come join us on the 30th!

TMF editors

About the program:

Social protest has become almost inseparably linked to a plethora of media images and messages distributed via internet, mobile phones, social media, internet video platforms and of course traditional media outlets such as newspapers, radio and television. A popular category to have emerged recently is the ‘twitter-revolution’. In almost all cases (Iran, Tunisia, Egypt, London) the role of the platform turned out to be less than essential in retrospect. Protests mostly manifested on the streets and particularly the public squares (‘Take the Square’). Deeply rooted blogger-networks did however play a mayor role, preparing the protests that have now been dubbed the “Arabian Spring’. And internet played a crucial role in the organisation and co-ordination of the European ‘anti-austerity’ protests (Spain, Greece, UK, Italy).

Tahrir-Cinema

This international seminar brings together theorists, artists, designers, activists and media specialists to develop a critical analysis of the new forms of social protest and their media dimension. The program is divided into two blocks. The first block focuses on an in-depth analysis of the evolving WikiLeaks-saga, while the second block will examine the remarkable string of protests in the Mediterranean region. These discussions will be interrupted at times by startling artistic interventions in current social and political debates.

Participants in the program are: Daniel van der Velden (Metahaven), Geert Lovink (Institute of Network Cultures, INC), Aalam Wassef (Ahmad Sherif), Omar Robert Hamilton (Mosireen / Tahrir Cinema, Cairo) Nat Muller (independent curator), David Garcia (Chelsea College), Jodi Dean (Hobart and William Smith Colleges / Blog Theory), X.net & Democracia Real Ya – Barcelona, Gahlia Elsrakbi (Foundland), Nadia Plesner (Darfurnica), Florian Conradi and Michelle Christensen (stateless plug-in), Sami Ben Gharbia (Global Voices – tbc).

The seminar is part of an on-going research into Tactical Media, the fusion of art, media, politics and cultural activism, centred around the “Tactical Media Files”, an on-line documentation resource of Tactical Media practices world-wide.
[ www.tacticalmediafiles.net ]

Doors open: 10.00
Start Program: 10.30 uur
End Program: 17.00 uur

Program Overview:

10.30 – Opening / Introduction: Eric Kluitenberg (Tactical Media Files / De Balie)

Part I – Repositioning WikiLeaks

Metahaven: Petri Collection (Image Economies)11.00 – 11.20 – Presentation: Daniel van der Velden (Metahaven)
11.20 – 11.30 – Responses
11.30 – 11.45 – Discussion

11.45 – 12.05 – Geert Lovink (Institute of Network Cultures)
12.05 – 12.15 – Responses
12.15 – 12.30 – Discussion

Respondents:
Jodi Dean (Hobart and William Smith Colleges / Blog Theory), David Garcia (Chelsea College of Art & Design)

12.30 – 12.45 – Artist presentation: Nadia Plesner – Darfurnica

Nadine Plessner - Darfurnica

13.00 – 14.00 – Lunch break

Part II – Revolution in the Mediterranean

14.00 – 14.20 – Presentation: Aalam Wassef (Ahmad Sherif)
14.20 – 14.30 – Responses
14.30 – 14.45 – Discussion

14.45 – 15.05 – Presentation: Omar Robert Hamilton (Mosireen / Tahrir Cinema)
15.05 – 15.15 – Responses
15.15 – 15.30 – Discussion

Respondents:
Ghalia Elsrakbi (Foundland), Nat Muller (Independent Curator), Sami Ben Gharbia (Global Voices – tbc)

15.30 – 15.45 – Artist Presentation: Florian Conradi and Michelle Christensen (stateless plug-in)

stateless plug-in

15.45 – 16.00 – Coffee break

16.00 – 16.20 – Skype session with X.net & Democracia Real Ya, Barcelona
16.10 – 16.10 – Responses

16.25 – 17.00 – Closing Discussion

Location:

De Balie
Kleine Gartmanplantsoen 10
Amsterdam

Admission: 5 euro (no reductions)
[ TICKET-LINK ]

Links:

Tahrir Cinema:
www.cinerevolutionnow.com/2011/07/tahrir-cinema.html

Mosireen:
http://mosireen.org

Take the Square:
http://takethesquare.net

Democracia real Ya!:
www.democraciarealya.es/manifiesto-comun/manifesto-english/

stateless plug-in:
http://statelessplugin.net

Nadia Plesner – Darfurnica:
www.nadiaplesner.com/Website/darfurnica.php

EVENING PROGRAM:

Revolutionary Archives: Tactical Screenings from Tahrir

Screening & talk with Omar Robert Hamilton: Friday September 30, De Balie, Amsterdam, 20.30 hrs

In the midst of the Egyptian uprising Tahrir Cinema was started on July 14th by a group of film makers and artists, organising open air public screenings on Tahrir Square, of films that had something to do with ‘the Revolution’. Curation of the films was largely open source. The organisers asked people on the square for their footage, or what they wanted to see up on the screen – “a screen to serve the square”.

Tahrir Cinema screening

Out of this frenzy of media-activity Mosireen emerged, a new independent media centre in Cairo. During the protests Mosireen supported people on Tahrir Square to edit their materials, created DVDs with raw footage and clips, and set up an archive of the Revolution.

This special screening program organised in the frame of “Media Squares” program at De Balie will present a selection of videos and films from Tahrir Cinema in collaboration with Mosireen, Cairo. The screening will be hosted and narrated by Omar Robert Hamilton, one of the initiators of Tahrir Cinema, and Nat Muller, independent curator based in The Netherlands.

Links:

Tahrir Cinema:
www.cinerevolutionnow.com/2011/07/tahrir-cinema.html

Omar Robert Hamilton:
www.orhamilton.com/bio.html

Mosireen:
http://mosireen.org

Location:

De Balie
Kleine Gartmanplantsoen 10, Amsterdam
Program starts: 20.30 hrs.

Admission: 5 euro (no reductions)
[ TICKET-LINK ]

The Tactics of Camping

Yes We Camp!

Michel de Certeau observed that the tactics employed by the ‘weak’ are always on the watch for opportunities, and that these opportunities must be seized “on the wing”.  Tactics, de Certeau writes, have no base at their disposal from where they can capitalise on their advantages, prepare their expansions, or secure their independence from circumstances. Instead tactics ‘insinuate’ themselves into the places of others. They operate on the terrain of strategic power, ‘fragmentarily’, without taking it over in its entirety. Whatever these tactics win, they cannot keep. [1]

Hence, tactics are always nomadic.

3769267_orig

 

The Spanish elections of 2011 certainly presented one such opportunity to appropriate the moment and a strategic space tactically. The spill-over of resentment over youth unemployment, political inaction and incompetence, and the continuing spectre of austerity sparked a spontaneous anti-movement;  Los Indignados, the outraged. Los Indignados started massive street protests taking the city squares in cities all over Spain by camping on them, repurposing the strategic space for civic deliberation and protest.

Perhaps most remarkable about this ‘anti-movement’ is precisely its refusal to be or become a movement. In their Manifesto for Real Democracy they write: “We are ordinary people. We are like you: people, who get up every morning to study, work or find a job, people who have family and friends. People, who work hard every day to provide a better future for those around us.” [2] And in the call for nothing less than  #Globalrevolution the initiators identify themselves as “the outraged, the anonymous, the voiceless”, who no longer gaze at vertical power, but instead look sideways, horizontally:  “No political party, association or trade union represents us. Nor do we want them to, because each and every one of us speaks for her or himself.” [3]

When scrutinising the websites and resources that are connected to the central anchoring point, http://takethesquare.net/, no final set of principles or demands can be found, except for a call to involvement in working towards a ‘better world’ that puts ‘people and nature’ before ‘economic interests’, and useful documents that can guide the process of bottom-up, collective decision making, avoiding the need for leadership or ‘organisation’. “The time has come for the woman and man in the street to take back their public spaces to debate and build a new future together.” [4]

Camping Blues

ac1

An important question is where to locate your camp? The city square is for obvious reasons a well chosen site. As Greek activist Christos Gionanopoulos maintains, “democracy is born in the square“, the classical site for a people’s assembly. In his view the ‘movement of the squares’ has initiated a startlingly new political culture, one that  its open, participatory, and offers a ‘directly democratic way of organising and functioning’.  “Within a single week it has given birth to a political culture of a different type, one that literally overcomes all known models of organising and struggle to date“, Gionanopoulos maintains. [5]

There is a deeper sense of media awareness in this (anti-) ‘movement of the squares’. Gionanopoulos writes: “..the stance of the movement toward Mass Media is also differentiated, with the refusal to engage with them, not even by way of issuing press releases. With the screening of what part of its procedures and organising is photographed or taped, and most importantly, with the creation of the movement’s own channels of communication — with its main website www.real-democracy.gr, being the only medium-voice of its decisions.” But obviously, the well-chosen site, the public city square derives much of its power from its public visibility. It is certainly impossible, and also highly undesirable for this public spectacle not to be picked up by mass and mainstream media. In fact the public camps on city squares are one of the most mediagenic forms of popular protest to have emerged in recent years, from Tahrir to Puerta del Sol, and this status has undeniably facilitated their international dispersal by the very system the activists claim to deny.

Some activists can also get disheartened with the lagging nature of collective and non-hierarchical decision making procedures. In a text of 2002, The Dark Side of Camping, Susanne Lang and Florian Schneider reflect on the daily experience of the International border camp in Strasbourg, July 19 – 28,  2002. [6] They recall how by the time that the ‘radical-democratic decision-making process’ had come to the point of stating positions, the sun had already reached Zenith, without actual decisions having been made. The urgency of the matter on the table, the inhuman border, detention and expulsion regimes appeared to get lost in the haze of bottom-up democracy, for activists in a hurry to address them head on. Exasperation and frustration can easily set in. Thus, de-centred decision making always needs to navigate a precarious balance.

Poster International Border Camp Strassbourg

Refusal of the media question was prevalent in those days, more so than in the current  ‘movement of the squares’. Lang and Schneider lament the ignorance towards the media activist component in the border camp, derided internally as ‘silicon valley’. But they also point out how the complete refusal to co-operate with any media outlet, not even the indymedia type, lead to a fatal distortion of public perception of the actions: “Clearly, the manner in which the whole event is perceived from the outside will necessarily shift if the simple attempt to mediate ones own positions will be dismissed as opportunistic. : calls for freedom of movement might easily be interpreted as calls for freedom to muck about and act the fool. Who is protesting on the streets and why, which actions have been chosen and for what reason? The history, background, aims and ideas of the camp were concealed. Therefore the press relied on the statements of the police and the mayor“, Lang and Schneider write. And while scepticism about playing the mainstream media game might be justified, relying on at least self-organised media outlets and communication channels to the wider public seems an essential step forward for the activists.

Lang and Schneider had to recover from a severe case of camping blues in those days. For them the marriage of camping and media activism was about political communication: “networking understood as situational negotiations that are based on the possibility of changing ones own standpoint as well as the standpoint of the other“. However, what they encountered was an introverted political culture, what they call a ‘a neo-romantic motivated anti-capitalism’. Lang / Schneider: “Prevalent in those ten days in Strasbourg was a hermetic culture of immediacy that was neglecting and dismissive of every form of artificial or technical supported mediation, due to the fear of it being a hindrance on some amorphous idea of natural self-development.” [6]

From the media to the street

One of he central claims of the tactical media ‘movement’ has been to state that power has shifted to the symbolic domain of electronic mediation, and therefore power also has to be contested in the sphere of symbolic mediation, as for instance Steve Kurtz of Critical Art Ensemble has claimed [7].  This shift also implies that to intervene in and  tamper with the symbolic (in real-time mediation) means to intervene in and tamper with ‘real’ power. So, why then this seemingly regressive move back to the street and the square?

One important lesson can already be drawn from the Syrian uprising, an escalating conflict bordering on civil war whose outcome is still completely uncertain while this text is written. Dubbed the ‘Syrian Cyber Revolution’ the tactical appropriation of social media tools played a prominent role in organising the street protests, as they have done in many other places. The Syrian youngsters / activists derived a strong sense of empowerment from their newly found capacities to organise, coalesce and unify around common interest via social networking tools such as facebook.

However, a painful lesson was to learn that the newly established networks could also be ‘read’ – necessarily so because of the relatively open and public character they required to be useful for intended purposes – by the Syrian authorities, whose prime interest was to seek out the central nodes in the network and eradicate them, working outwards towards the mass of networked participants. Visibility here means not just empowerment, but also vulnerability, becoming a discrete, identified, and localised target.

A strange paradox emerged: In the seemingly private space of the social network activists had now become identified as an individual and more importantly  as a discrete target for authoritarian repression. On the street however, the individual protester dissolved into a crowd to become a public. The rising death-toll from the Syrian protests indicates that this act of dissolving in the public is by no means without risk. It does, however,  escape the targeted designation of the social networking space, which as an activist tool had de facto become ineffectual or even counter-productive for the local activists. Only in exile, out of reach of a repressive and violent authority, could the social networking space be used  for effective public political communication, and possibly to mobilise the international diaspora.

The tactical operations, both in the streets as well as in the media, necessarily need to remain nomadic in these circumstances, always on the look out for temporary spaces of opportunity.

Hybrid tactics in a hybrid space

Embodied public spaces and media spaces do not exist independent of each other anymore. They constitute each other. As much as that the spaces of opportunity in the media are determined by the physical and political conditions they are built upon, so is the physical public space constructed by the media flows that permeate it; communicative practices, surveillance, mediated representation. As a result the logic of these spaces is hybridised: the media flows have to locate themselves to become manifest and meaningful, to escape their inherent virtualisation, while physical presences are permeated by electronically mediated flows that both construct and capture them.

Activists need to understand the hybridised logic of hybrid space [8], its variability, its moments of opportunity and closure, to make use of them. The newest generation of civic activists, the (anti-) ‘movement of the squares’ seems to have ingrained and internalised this hybrid logic, almost unthinkingly. Social media tools, wireless devices, digital networks, self-publication channels seem nothing less than self-evident to them, and they are learning how such spaces of opportunity can suddenly close down, at which point it is time to move on – thus producing a continuous nomadic movement that as yet is unclear where it will land.

by Eric Kluitenberg, June 20, 2011.

References:

1 – Michel de Certeau, “The Practice of Everyday Life“, University of California Press, 1984, p. xiv.

2 – www.democraciarealya.es/?page_id=814

3 – See the archived announcement for June 19, 2011,  at: www.tacticalmediafiles.net/article.jsp?objectnumber=53248

4 – ibid.

5 – Christos Gionanopoulos, “Democracy is born in the squares“, June 6, 2011
www.occupiedlondon.org/blog/2011/06/09/613-democracy-is-born-in-the-squares/

6 – Susanne Lang and Florian Schneider, “The Dark Side of Camping“, 2002.
www.tacticalmediafiles.net/article.jsp?objectnumber=44087

7 – See amongst others Critical Art Ensemble, “Digital Resistance“, 2001
www.critical-art.net/books/digital/

8 – See also: Eric Kluitenberg, “The Network of Waves – Public Agency in Hybrid Space” , 2006
www.tacticalmediafiles.net/article.jsp?objectnumber=48405